Colors and brushstrokes, converted into gesture, are the expressive foundation of this series of works, in which an almost palpable subjectivity can be found. Language evades objectivity, expressing itself, instead, through fields of complex chromaticism, stains, and intense brushstrokes. The mark of the pictorial gesture on the canvas builds a moving space, whose dynamism faces formal apogees, reposes, knots, and silences, representing or translating—perhaps—the imprecise, but penetrating quality of interior states.